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C'est comme le cri d'un code postal... est une pièce bruitiste faite d'un chœur de 262 synthétiseurs numériques évoluant par l'application et l'évolution de reverbes et de distorsions.
Chacun de ces synthés utilise comme fréquence de base un des codes postaux du département de Loire-Atlantique, provoquant par le léger décalage de leurs phases toutes ces accélérations et superpositions.
Logiciel utilisé: Max MSP
Matériel utilisé: TOMSLINE Ocean Verb - digital reverb / FOXGEAR Fenix Overdrive - distorsion
Cette pièce a été diffusée pour la première fois lors de l'exposition "de la poudre et de l'eau" aux Ateliers de la Ville en Bois, à Nantes, sur l'invitation d'Inès Elichondoborde.
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